{"id":559,"date":"2019-04-07T17:15:12","date_gmt":"2019-04-07T08:15:12","guid":{"rendered":"http:\/\/www.yoshioojima.com\/?p=559"},"modified":"2021-03-23T16:33:10","modified_gmt":"2021-03-23T07:33:10","slug":"cd-visible-cloaks-yoshio-ojima-satsuki-shibano-frkwys-vol-15-serenitatem","status":"publish","type":"post","link":"http:\/\/www.yoshioojima.com\/weblog\/archives\/559","title":{"rendered":"Visible Cloaks, Yoshio Ojima & Satsuki Shibano – FRKWYS Vol. 15: serenitatem"},"content":{"rendered":"

\"\"<\/a>Visible Cloaks<\/a>, Yoshio Ojima & Satsuki Shibano<\/a>
\nFRKWYS Vol. 15: serenitatem<\/p>\n

\u30cb\u30e5\u30fc\u30a2\u30eb\u30d0\u30e0
\n2019\u5e744\u670819\u65e5\u30ea\u30ea\u30fc\u30b9<\/p>\n

AMIP-0166
\n\u5b9a\u4fa1\u00a52,100\uff08\u7a0e\u629c\u4fa1\u683c\uff09\uff0b tax
\n\u30ec\u30fc\u30d9\u30eb : RVNG intl.<\/a>
\n\u767a\u58f2\uff1aInpartmaint Inc.<\/a>
\nCD\u306e\u307f\u30dc\u30fc\u30ca\u30b9\u30c8\u30e9\u30c3\u30af\u201dToi (Tokyo Mix)\u201d\u53ce\u9332<\/p>\n

\u73fe\u4ee3\u30a2\u30f3\u30d3\u30a8\u30f3\u30c8\u306e\u6700\u9ad8\u5cf0Visible Cloaks\u3068\u3001\u65e5\u672c\u306e\u74b0\u5883\u97f3\u697d\uff0f\u30a2\u30f3\u30d3\u30a8\u30f3\u30c8\u3092\u727d\u5f15\u3057\u3066\u6765\u305f\u5c3e\u5cf6\u7531\u90ce\uff0f\u67f4\u91ce\u3055\u3064\u304d\u306b\u3088\u308b\u30b3\u30e9\u30dc\u30ec\u30fc\u30b7\u30e7\u30f3\u4f5c\u3002<\/p>\n

 <\/p>\n

VINYL
\nSide A (33 RPM)
\nA1. Toi (5:51)
\nA2. Anata (2:31)
\nA3. You (4:58)
\nA4. Atelier (6:48)
\nA5. S’Amours ne fair par sa grace adoucir (Ballade 1) (2:31)
\nSide B (33 RPM)
\nB1. Lapis Lazuli (9:11)
\nB2. Stratum (7:12)
\nB3. Canzona per sonare no. 4 (6:36)<\/p>\n

CD \/ DIGITAL
\nToi (5:51)
\nAnata (2:31)
\nYou (4:58)
\nAtelier (6:48)
\nS’Amours ne fair par sa grace adoucir (Ballade 1) (2:31)
\nLapis Lazuli (9:11)
\nStratum (7:12)
\nCanzona per sonare no. 4 (6:36)
\nToi (Tokyo Mix) (9:28)<\/p>\n

 <\/p>\n

All music by Spencer Doran and Ryan Carlile (Visible Cloaks), Yoshio Ojima, and Satsuki Shibano, except \u201cS\u2019Amours ne fait par sa grace adoucir (Ballade 1)\u201d by Guillaume de Machaut (1300\u20131377) and \u201cCanzona per sonare no. 4\u201d by Giovanni Gabrieli (1557\u20131612).<\/p>\n

Recorded by Naoto Shibuya (PYXIE LLC) at Sounduno, Shibano\u2019s atelier, December 2017 through early 2018 (Tokyo, Japan).
\nAdditional recording and pre-production by Spencer Doran at Garden Studio (Portland, Oregon).
\nMastering by Rashad Becker at Dubplates & Mastering (Berlin, Germany).<\/p>\n

Piano Tuning: Takahiro Natori (Natori Piano, Tokyo, Japan)<\/p>\n

Cover illustration by Molly Doran.
\nStills from the serenitatem documentary, captured and produced by Pootee.
\nDesign by Will Work for Good.<\/p>\n

Project coordinator: Kensuke Hidaka
\n<\/a><\/p>\n

 <\/p>\n

\n
\n
\n
\n

COME! MEND!
\nOn behalf of Visible Cloaks, Yoshio Ojima, and Satsuki Shibano, a portion of the proceeds from this release will benefit Pink Ribbon, an international organization funding breast cancer research and awareness. pinkribbon.com \u2014 commendnyc.com<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Visible Cloaks, Yoshio Ojima & Satsuki Shibano FRKWYS Vol. 15: serenitatem \u30cb\u30e5\u30fc\u30a2\u30eb\u30d0\u30e0 2019\u5e744\u670819\u65e5\u30ea\u30ea\u30fc\u30b9 AMIP-016 […]<\/p>\n","protected":false},"author":1,"featured_media":568,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"acf":{"news_category":"Release"},"_links":{"self":[{"href":"http:\/\/www.yoshioojima.com\/weblog\/wp-json\/wp\/v2\/posts\/559"}],"collection":[{"href":"http:\/\/www.yoshioojima.com\/weblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.yoshioojima.com\/weblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.yoshioojima.com\/weblog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.yoshioojima.com\/weblog\/wp-json\/wp\/v2\/comments?post=559"}],"version-history":[{"count":18,"href":"http:\/\/www.yoshioojima.com\/weblog\/wp-json\/wp\/v2\/posts\/559\/revisions"}],"predecessor-version":[{"id":1026,"href":"http:\/\/www.yoshioojima.com\/weblog\/wp-json\/wp\/v2\/posts\/559\/revisions\/1026"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.yoshioojima.com\/weblog\/wp-json\/wp\/v2\/media\/568"}],"wp:attachment":[{"href":"http:\/\/www.yoshioojima.com\/weblog\/wp-json\/wp\/v2\/media?parent=559"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.yoshioojima.com\/weblog\/wp-json\/wp\/v2\/categories?post=559"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.yoshioojima.com\/weblog\/wp-json\/wp\/v2\/tags?post=559"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}